Nikolai Nosov novel Dunno on the Moon written in 1964 is a mirror of modern reality. It is a story about a world ruled by the hunger for money, profit, and entertainment — a world that turns people into sheep.

It was one of those scientific stories that seems almost impossible. A Soviet researcher who had never set foot in Mexico managed to do what the world’s leading Mayanists had failed to achieve for decades: he proved the phonetic character of Maya writing and opened the way to reading it. Not through a jungle expedition, not through a sensational archaeological discovery, not through a new bilingual inscription like the Rosetta Stone, but through work at a desk, with books, tables, manuscripts and iron logic. Later, Yuri Valentinovich Knorozov would say, almost defiantly: “I am an armchair scholar. To work with texts, there is no need to climb pyramids.” In that sentence there was defence, irony and the pain of a man who for too long was not allowed to visit the cultural world of his greatest discovery.